Composing Your Dissertation

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A. 2. Diagram. You as a WriterPlanning and PreparationActually WritingPlagiarismWriting HabitsQ

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Composing Your Dissertation/Thesis Andrea Cheshire & Robert Blake Thanks to Anwen Woodcock & Maki Yasui

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Outline You as a Writer Planning and Preparation Actually Writing Plagiarism Writing Habits Q&A A

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Getting to know yourself as an author Part of pre-composing and the early composition stages is acknowledging what sort of essayist you are and that written work for some is not a straight procedure Look at the accompanying slides portraying composing sorts [adapted from Crème & Lea (2003)]. Will you order yourself as one of these sorts of author? B

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Getting to know yourself as an essayist Can you characterize yourself as one of these sorts of author? The "Jumper" author The "Interwoven" Writer The 'Terrific Plan' Writer The "Engineer" Writer B

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Getting to know yourself as an essayist: Diver Writers Divers jump in and begin composing from the get-go, to discover what they need to state. Jumpers begin anyplace to perceive what rises, before working towards an arrangement B

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Getting to know yourself as an author: Patchwork scholars Patchwork journalists chip away at sections (maybe under headings) very right on time all the while, and consolidate them with connecting thoughts and words later B

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Getting to know yourself as an author: Grand Plan journalists Grand arrangement journalists read and make notes, and don't compose an arrangement or much else until they have a practically entire photo of the article prepared in their mind B

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Getting to know yourself as an essayist: Architect journalists Architects have a feeling of the structure (maybe before the substance) and could deliver a perplexing arrangement or creepy crawly outline ahead of schedule in the process B

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Getting to know yourself as an essayist What may be the points of interest and disservices of these styles? Which method for arranging is most similar to your own? Will you arrange yourself as one of these sorts of author or as an essayist do you blend styles? B

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Planning and Preparation Timetables Reading Habits B

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Timetabling Your Dissertation Make a divider/Gantt graph. Be sensible. Recognize best work times and keep to a day by day composing space Section exposition/proposal (Bite-estimate lumps) Familiarize yourself with due dates and plan in like manner Include time taken for manager input (drafts, re-drafts) B

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Good Planning-Research & Writing Look at the accompanying cases of timetables & Gantt diagrams: thesis graph * week after week chart* point by point paper outline Which timetables do you discover generally accommodating? What level of detail do you require? Would these timetables permit you to keep to plan? Cases 1 & 2 from Strathclyde University Useful Learning site B

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Planning-Research & Writing-Dissertation timetable B

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Planning Research & Writing-Weekly timetable B

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Planning-Research & Writing-Dissertation timetable B

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Reading Habits Save writing seeks Metalib/web databases Keep in the know regarding new research Record of perusing Index Cards Endnote Journal Other formats* A

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What to Include in Your Reading Record Date read Complete reference Useful quotes - with page numbers Own assessments What you think about the perusing? How it fits in with your own particular work? Distinguishing assessments A

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End Note case A

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Writing Knowing What to Write Initial Writing Tasks Writing About Existing Research Organizing Your Writing Clearly Editing Referencing A

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Knowing What to Write Requirements of PhD/MSc Departmental desires Word number, arrange and so forth. Take a gander at past papers/theories Postgraduate secretary Organization Level of composing Content - what number of trials? Try not to freeze! A

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Actually Writing Other sessions in GSSE Initial Writing Tasks Writing about other individuals' examination Writing about your own particular research A

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Initial written work undertakings Ideas while perusing: Documenting perusing Summaries Reading & blending foundation hypothesis Critiques of other research Drafting & amending proposition Logging tests/pilots/perceptions Sketching arrangement of work [Gantt graph etc] Explaining grouping of work [in sentences] Sketching structure of postulation Speculative composition: courses forward in venture Design for advance or first year report [MURRAY 2002] B

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Writing prompts in the center stages to layout your work What would I be able to expound on - the setting foundation My exploration questions/theories are e.g. [50 words] Researchers who have taken a gander at the subject are [50 words] They contend that… .[25 words] Smith contends that … .[25 words] Brown contends that … .[25 words] Debate focuses on the issue of … .[25 words] My exploration is nearest to that of X in that … .[25 words] [slightly adjusted from Murray 2002] B

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Why do we bring different researchers into our work? To show to perusers and analysts that we know about the field and that we have been specific in evaluating significant reviews To give a diagram of current information in a specific territory of utilization or potentially/system To give a setting to our present review and to find it inside a particular field To audit different reviews basically To highlight a hole in learning, zones of use, and so on To legitimize the utilization of a specific procedure, range of use, and so on To support to information/truths B

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Methods of bringing different authors into our composition: We can either do this by Rephrasing in our own words & including an affirmation. This can be either through: outline or reword This is the standard for most writing in sciences & designing. It likewise makes it less demanding for the essayist to remark basically on the source content. 2. Coordinate citation & affirmation: this technique is a great deal less regular in science & designing B

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Citing different journalists in the body of your content : When you've reworded or abridged another author, dependably recognize the source. You can do this in two ways: 1. Start the sentence with the creator's surname + year of production in sections e.g. Berridge (2002) has exhibited that factual examination can be utilized … This technique stresses the creator you are refering to. 2. Reword the thought, then give the surname of the creator + year of production in sections e.g. Factual examination can be utilized to illustrate… (Berridge 2002) underscores the review instead of creator and can be utilized when the emphasis is on studies in your field. [See Andy Gillett's exceptionally useful UEFAP site. Look under reference and revealing http://www.uefap.co.uk/composing/writfram.htm ] B

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Integrating the source into your content When assessing different reviews, they should be incorporated into your own content, as opposed to peruse as a progression of separated voices of different specialists [patchwork writing]. So when you allude to another essayist, you ought to start and end in your own particular voice, with the center part comprising of reword or outline of the source and the last section an analysis on the commitment of this author. Notwithstanding, you will at present need to embrace an indifferent logical style* [See session 1]. Harvey (1998:) diagrams 3 fundamental standards for coordinating sources in scholarly composition: 1. "Utilize sources as compactly as conceivably so your own reasoning isn't swarmed out by your introductions of other individuals' reasoning, or your own particular voice by your citing of other individuals' voices" To do this summarization is more compelling than citation. B

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Integrating the source into your content 2. "Never leave your peruser in uncertainty with reference to when you are talking and when you are utilizing materials from a source." Part of your obligation as a logical author is to make the wellspring of any information clear so it can be checked. 3. "Continuously clarify how each source you acquaint into your paper relates with your contention (investigation)" It is poor practice to embed citations or a progression of summarizes without showing how each source is utilized. Utilize rewording [or (sparingly) citations, for instance, to bolster information, to show a point, to give a restricting perspective, to assess and reprimand a point B

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Organizing a survey of different reviews Avoid giving a simply story of different reviews. The writing audit should be developed coherently and you'll have to discover a method for gathering thinks about. Here are a few proposals for doing as such: Follow a general-to - particular example Chunk thinks about utilizing a grid structure, by clarifying the general structure first before looking at a specific branch in detail. Tell the peruser when you are coming back to the principle stem of the branch [signposting] Introduce each passage with an unmistakable point sentence (starting sentence of each section). This ought to clarify the part of writing that is being assessed and the reason for that part of your survey. Each review talked about necessities a reasonable presentation that highlights its motivation or significance. A conceivable example is: General thought of study Application/importance Strengths and shortcomings If significant, association with to the present review B

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Reporting other researchers' work One of the most troublesome abilities for postgraduate understudies is to build up a basic exchange of other authors' work. Exposition essayists and administrators have remarked on the challenges of 1] unmistakably recognizing their basic voice from that of the writers they are perusing 2] showing their position in connection to the work they are surveying. The following slide gives a rundown of verbs used to report others authors' thoughts. Select 10 of these that would most regularly utilized as a part of your field Delete verbs that would not be utilized as a part of your field? Are there verbs you wish to include? B

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Verbs for announcing ot

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